Rockupation '77
A country with Forests and lakes; Switzerland On the
shore of Lake Geneva, with the view of Alps in front, the town
of Montreux annually hosts the biggest event in Europe, the Montreux
International Festival. This year from July 1st to 24th, for 15
days, it produced a soul-stirring drama with glorious fame involving
three hundreed musicians and audience of fifty thousand people in this
town with spectacular view. In
its
eleventh year, The Montreux International Festival gathered young
people from all over the world (rather unusual), and there was a
torrent heat for this event.
The
concert auditorium is located inside a casino with a capacity of about
five thousand. A wide screen was set up on both sides of the stage
livening up the atmosphere. Every night from 8 pm to 2 to 3 in the
morning, there have been heated performances of Jazz, Crossover, Rock,
etc. Although most of the Pop Rock musicians participated in this
year's festival are not very well known back home in Japan, they have
done their share as big concert participants at this historical event.
Though not flamboyant, they presented their own peculiar, wonderful
performances with super technique. (FM Tokyo has broadcasted a part of
this event).
One
of
the big events of this year (on July 22nd) drew the largest audience
since the festival opened its curtain 10 years ago. The musician who
headed the bill on this night was, of course, the one you are going to
listen to now, Rory Gallagher.
July
22nd
was a fine, gorgeous day as only Swiss climate can bring in it's
clarity. By 8 o'clock in the morning people started to gather around to
see Rory and spent time in a lake nearby or pool to kill time.
Bathed
with red light, Rory got on stage jumping over an amplifier as a
wrestler does so over a ring rope. From this moment on, Rory got
everyone crazy. His gig opened after midnight. The auditorium was filled with fans shoulder to
shoulder as well as an outside crowd the same size of crowd inside. It
proved his popular status in Europe. As soon as he got on the
stage, Rory said, "It seems that
there are many people outside who would like to listen to my music. So
we have set up speakers outside as well. Needless to say,
stereo." The audience roared with joy before Rory finished his
announcement and the atmosphere seemed to reach its peak even
before the show.
Rory,
who
moved around the stage which seemed too small for him, came casually
dressed with jeans, a printed shirt and a pair of sneakers. It
was like we had one of ourselves, a buddy on the stage. When an excited
fan got on the stage and started to play harmonica, Rory welcomed this
uninvited guest and played along. We can't imagine this sort of
happening in Japan. Rory handled this surprise very well, even though
the whole stage act must have been prepared with much calculation
beforehand.
The
show
started with "Moonchild" and lasted for 2 and half frantic hours.
Rory made sure that we would hear his original wandering guitar play.
For your information, here is the song list on
this night. Moonchild, I Take What I
Want, Calling Card, Tattoo'd Lady, Secret Agent, Garbage Man, Bought
& Sold, A Million Miles Away, Do You Read Me, Western Plain, Barley
& Grape, Too Much Alcohol, Goin' To My Home Town, Souped Up Ford,
Bullfrog Blues and Messin' With The Kid. Teizo Aoyama (FM
Tokyo)
Energetic and earnest Rory
Gallagher
A
long
time has passed since I got to know Rory Gallagher. It was when "Taste"
made its debut, meaning that about 10 years have passed since. But I am
not aware of this passage of time between Rory and me. Simply put, Rory
has not changed a bit.
Of
course
I don't mean that he hasn't improved. His stage performances and
albums released truly show that he has improved over the years as a
guitarist and a musician. What I'm trying to say is that his charm as a
human being and the impression he gives to people hasn't changed.
I
don't
know a nicer guy than Rory. He is energetic, worry-free, bracing and
warm whenever he shows up in front of me. A big-hearted, pleasant nice
guy. The first impression of him has remained same. I have been
attracted more by his character than by his wonderful guitar playing.
Let me introduce you this bosom
friend of mine.
Rory was born on March 2nd, 1948 in Ballyshannon, Ireland. The family
moved to Cork later on and he grew up there. The first instrument this
ordinary boy, who wanted to be a football player, got was a small Elvis
Presley style ukulele. At age 9, he obtained a guitar and mastered it
on
his own with a help of guitar manual. When he was thirteen, he bought
an electric guitar and resolutely started to make his way to be a
guitarist.
At
age
fifteen, he took the first step forward to be a professional musician.
He joined a dance band called Fontana Show Band, which played only
songs on the hit chart, and spent two and half years playing along. By
then he had keen interest in Blues and American Folk songs, and with an
electric guitar in his hand his desire to play music in his own style
rather than to accompany hit songs on guitar had been growing day by
day. When Fontana broke up, he formed his own band. Thus, in 1966, so
called the original Taste, Mark 1, was born.
After
a
change of members, in 1969, Taste made a record debut on Polydor. Along
with Rory, there were Richard McCrackin (drums) and John Wilson (bass).
They had won popularity and regarded as a new Cream. Three albums had
been released before the band split up suddenly at the end of the 1970
and disappointed their fans. After a year break, Rory got a move on
again to make his new ideas come true, along with Gerry McAvoy (bass)
and Wilgar Campbell (drums). The band toured US very successfully
at the end of 1971 for the first time.
The
first
two albums, after his solo debut, did not create a sensation due to its
sober style compared to the ones of "Taste" era. The third album
"Live in Europe" showed him at his best...live and he regained his
popularity completely. In June 1972, Wilgar Campbell left the group,
and Rod De'Ath (drums) and Lou Martin (electric piano), both former
"Killing Floor" members, joined Rory and his career got in going full
scale all the more.
Around
this time, Rory started to show some change in his recordings and to
produce more energetic albums in the studio, like the live shows. In the
meanwhile, Rory has had two Tours of
Japan,
in January in '74 and '75, and he deployed energetic, earnest and
refreshing concerts in front of Japanese fans.
In
October '75, he left his old label, Polydor, and got a contract with
Chrysalis. Since then he has been showing his willingness to
explore wider range of music by approaching a more pop and refined
sound. This coming tour will be his third in Japan, but will be
the first since his challenge started. So I assume there must be
some new interest and I'm looking forward to it. Really, Rory is
a nice guy! Kensho
OhnukiFrom Tour
Program from Rory's 1977 tour of Japan Many thanks to Reiko Schnetzer
for translating this writeup from
Japanese reformatted by roryfan