Rory Gallagher has been called unassuming so many times that he must be
wondering if he should take a more flashy pose and finally rise to that
Guitar Hero stature his by right over these many years. But Rory is
even too unassuming for that, and so he’s been forced to rely on his
playing prowess and live mega-energy to converi a legion of fans.
Stage Struck catches him at his panting best, shouting out hoarse
blues-tinged vocals, and then kicking the galloping horsepower put out
by his Stratocaster all the way home. He rides like he plays, fast, not
too abstract (though he’s been known to toss in
a wild sway bar now and again), and with plenty of fortitude and
determination.
“Moonchild” provides a good compendium of Rory’s fireworks, but the
other tracks, like the aptly named “Shin Kicker” or the frisky “Last of
the Independents,” boil away in similar fashion. He trills, fills, and
generally wills his guitar to run the whole sound spectrum, apologizing
not one whit for the fact that his approach hasn’t changed much over
the years since he was with the late sixties’ Taste.
It doesn’t matter; secure from fads and foibles, he’ll probably
still be trucking around the world come the year 2000, and the live
album from that year will be just as satisfying. This review comes
from the April 1980 issue of Rock
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